LOOK, I’M
WOODY. HOWDY, HOWDY, HOWDY.
Starring
Tatsuya Mihashi
M
He’s killed Larry David, given Penelope Cruz
an Oscar for a disintegrating mind, made Colin Farrell cry tears of inadequacy
and had Ian McShane sit on a fake boat. He’s talked duality and sexual dysfunction
endlessly, whilst essaying his own decaying talent in the broadest strokes of
comedy imaginable. There’s been crap, and more crap, and jazz guitar and crap
again and an attempt to deconstruct himself that’s ended in a heart attack and
a whore and Billy Crystal stoking the coals as Satan. He’s tried a musical with
people who can’t sing. He’s done Greek Tragedy in central Manhattan . He’s terrible. He’s brilliant.
He’s tried to rekindle old romance, got divorced, run from a man with an
awesome chokehold and given drugs to a damaged wife. He loves Russian
literature, and women. There are sad memories, and happy ones, weird
performances and weird characters, while he’s sucked helium and blacked up, all
in the name of comedy. His earlier ones are better. There’s sex there, and
failure, with love and despair and love again, all filmed with a master’s eye
and a romantic’s heart. He’s taken on sacred cows and tripped over giant banana
skins, he’s been a sperm and caused a revolution. His first film consists of
two 1960s Japanese action movies jammed together with the audio track ripped
out, while he and a group of friends sit around smoking pot and making up funny
things for the actors to say. It’s about egg salad, and the main character shouts
‘SARACEN DOG!’ a lot. Woody Allen is every kid pissing about on YouTube today,
he’s a genius and an auteur and the world’s lucky to have him.
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